Sometimes I wonder if you readers appreciate the hours an’ hours of dedicated labor that goes into each page? The intricate detail making each panel unique – the line work, the pallet of colors as each sequential panel reveals a new facet of the story – each panel a new experience a new revelation!
So um… Any of you ever think about that? ‘Cause if you have, you’ve probably been reading some other comix – Shame on you!
I particularly enjoy the nuance of drama conveyed by the very subtle, nay almost imperceptible shifts in proportion, angle and expression of the two subjects of the piece by the artist. The overwhelming tension of the latent action expressed by the dynamic stress between “Katz” (in his personification of alien inquisition) and “the worker” who is obviously not merely one individual here but representative of all manual laborers and perhaps, indeed, standing in for the undeveloped action smoldering within all humanity. We are perhaps fortunate that the artist has here chosen not to include his other protagonist, “Bunz” as her suppressed and yet vitalizing femininity might overpower the scene and distract from the cross-cultural clash of active reason and abeyant labor.
(A Calsloth public sector union job with one guy? Right.)
Bill you been readin’ too many New York Times Reviews…. however, this strip does indeed seem appropriate for Labor Day… the one day when non-union workers (some of ’em, anyway) can goof off with impunity. Cal-Sloth employees, of course, can goof off singly or in large formations any day of the year.
Oops! Y’know it had totally slipped my mind that I’d used Blondie Beaver’s top pix pose in a previous calendar…
Initially I was wondering why you thought her pose in the September calendar was “Full Figure” – though there is a full figure file of that pose as well – just um… Not on line…
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Sometimes I wonder if you readers appreciate the hours an’ hours of dedicated labor that goes into each page? The intricate detail making each panel unique – the line work, the pallet of colors as each sequential panel reveals a new facet of the story – each panel a new experience a new revelation!
So um… Any of you ever think about that? ‘Cause if you have, you’ve probably been reading some other comix – Shame on you!
Maybe next time you could do a blackout gag—just dialog in balloons and blackness…
I particularly enjoy the nuance of drama conveyed by the very subtle, nay almost imperceptible shifts in proportion, angle and expression of the two subjects of the piece by the artist. The overwhelming tension of the latent action expressed by the dynamic stress between “Katz” (in his personification of alien inquisition) and “the worker” who is obviously not merely one individual here but representative of all manual laborers and perhaps, indeed, standing in for the undeveloped action smoldering within all humanity. We are perhaps fortunate that the artist has here chosen not to include his other protagonist, “Bunz” as her suppressed and yet vitalizing femininity might overpower the scene and distract from the cross-cultural clash of active reason and abeyant labor.
(A Calsloth public sector union job with one guy? Right.)
Bill you been readin’ too many New York Times Reviews…. however, this strip does indeed seem appropriate for Labor Day… the one day when non-union workers (some of ’em, anyway) can goof off with impunity. Cal-Sloth employees, of course, can goof off singly or in large formations any day of the year.
I beg your pardon sir, I attended school for many a long year in order to learn how to bloviate like that. They don’t call it a BS for nothing.
AND you updated the QB calender on time too!
…and while we saw Little Blondie Beaver in the May calendar, doesn’t she look double plus good in full length?
Oops! Y’know it had totally slipped my mind that I’d used Blondie Beaver’s top pix pose in a previous calendar…
Initially I was wondering why you thought her pose in the September calendar was “Full Figure” – though there is a full figure file of that pose as well – just um… Not on line…